Nola Metro Gold II
Joël Chevassus - Septembre 2017
For a long time I wanted to test a pair of Nola Speakers.
Indeed, there is sometimes a noise footprint that holds your attention
and makes you love a brand of speakers simply because they trigger in
you a true feeling of pleasure.
Especially since I remember, I was never disappointed by a single
listening of Nola in the living room. Yet I have seen many
demonstrations, from the smallest models to the biggest ones, and each
time the fluidity of the sound message coming out of these lacquered
wooden boxes excited me, and prompted me to sit for a while next to
Carl Marchisotto, their designer, not to discuss technical but simply
to share a listening.
I believe that this case is unique, and I have no memory of other
examples of successive plays achievements of a speaker manufacturer
who have been able to react in the right direction so unanimously
... Even the demonstration a few years ago of the high-end Nola "Grand
Reference" in a room of modest size in Munich, seeming at first sight
unsuited to such a system, really challenged me by the quality of the
service delivered that day ...
Carl Marchisotto course knows perfectly his stuff and some tricks are
repeated invariably like to position the transducers on the wall
length, favoring the lateral spacing over the decline of the listening
point, and that to deport electronics to keep a blank space between
the two speakers. It is probably less interesting for the associated
electronics supplier to see its products confined in a corner of the
room, but Carl is adamant about the implementation of his products
because only the result counts.
The rectangular face of Nola reinforces this side a bit "old school",
choosing rather conventional speakers, cones and ribbons. But this
willingness to work within the rules of the art, however, gives some
originality to this production, by dint of seeing spread everywhere in
the world supply ceramic membranes Acuton.
Writing moreover that the Nola speakers are conventional would be
inaccurate. The fact of working on a flat baffle base (dipole) for the
high frequencies and on a bass reflex structure in the bottom of the
spectrum, without losing the homogeneity of the shapes and the sound
result, is quite unprecedented.
I also like the no-frills style of the Marchisotto family. Carl is a
whole character and does not bother him with false pretenses or staged
pompous intended to emphasize the exclusive side of its products or to
justify (more or less skillfully) asking price.
No, with Marchisotto is direct, simple and some form of consistency in
the way to approach things: the pleasure of listening to music, and
not much else ...
Carl Marchisotto told me that the reorientation of his company towards
an exclusively family structure (ie father, mother and daughter) had
enabled him to considerably reduce the time and energy lost in the
internal struggles, ego and the conflicts of interest that the
capitalist association may have with third parties. Simple but
effective, and probably also the voice of reason in a fragmented
market and fought as high-end speakers ... Long gone are the days
when Carl Marchisotto officiated at Dalquist as the designer of many
flagship models like the DQ-8, 12 and DQ-DQ-20. Carl, Marilyn (his
wife) and Kristen (his daughter) are the three people in the family to
run the company Accent Speaker Technology Ltd., and Nola brand.
So when the second generation of the Metro Grand Reference Gold came
out, Carl proposed to test them first, an opportunity I seized with
the greatest pleasure.
This new version is a deep revisits the previous model, the
Metro Grand Reference Gold itself is an evolution of the original
"Metro Grand Reference".
Beyond this new model, culminating pregnant Reference VI Grand Gold
and Gold Concert Grand Reference. Almost everything has changed
except for the body and the midrange speaker. Thus, both magnesium
serious transducers have been reworked in order to reduce distortion
and increase therefore the accuracy and dynamic range. The ribbon
tweeter has also been revamped and filter which enjoys even higher-end
components than the previous version.
Finally, the Metro Gold 2 feature standard of the double ball-platform
system that isolates noise and harmful vibrations of contact with the
ground.
Carl Marchisotto came to settle in my room with its French
distributor, the company TecSArt, fairly slender columns and discreet,
delivered in a very elegant black lacquer. These speakers are
available as standard in lacquered rosewood finish, but I find that
the combination of lacquered black with the golden finish elements is
finally a very aesthetic combination. Other colors and finishes are
available on request.
The two magnesium alloy cone woofers of SEAS origin are the
result of a high degree of customization (manufactured on
specifications). These speakers of modest size (16 cm) each have their
own isolated and unbalanced load type with a rear bass reflex vent
generous size. Checkout incorporates the two woofers consists of five
layers, including the last two inner layers serve to dampen internal
resonances of the cabinet. Standard ferrites of the woofers were
replaced with Alnico magnets ensuring a lower level of distortion and
therefore greater precision and clarity. Version 2 of the Metro Gold,
featuring new bass transducers, further reduces the level of
distortion at the bottom of the spectrum, along with an improved
dynamic response of both Alnico woofers. The bass / lower midrange is
so subjectively faster, descends lower and no audible lag. The mass of
the mobile structure of each speaker (13 grams) is very light compared
to what is usually found in this class of transducer.
The central ogive copper and gold plated serves both kernel cache and
phase corrector. The gold plating is not only for aesthetic reasons or
to up the price of this version but for its ability to better absorb
vibrations on this part of the speaker and thus ensure a better
response from HP and a less pronounced directivity . The decision to
move to these more expensive options was validated after many sessions
of comparative listening between standard warheads and warheads gold
plated.
The top of the enclosure is an extension of the front face, but
completely open on the sides and back, like a baffle mounting
plane. This architecture makes it possible to limit any coloring or
sound of box by drastically neutralizing the problem of the rear waves
of the loudspeakers. In this case, so the listening room as a whole
that functions as a decompression chamber of the rear wave transducers
acute-medium.
This structure thus accommodates a paper medium cone Treaty of 11 cm,
also with an Alnico magnet, and a ribbon tweeter (aluminum membrane)
manufactured in Serbia (in the RAAL manufacturer) capable of mounting
100 kHz the paper. The ribbon is placed between neodymium magnet bar
and is connected to an impedance matching transformer to reduce it to
8 ohms.
The Metro Gold 2 benefit from a changing profile of the plate loading
the tape, machined directly from Nola, and to further increase the
openness and transparency of the tweeter. The conical midrange
transducer is operated over a wide frequency band ranging from 200 Hz
to 3,500 Hz, which makes it possible to maintain consistency in terms
of acoustic phase and amplitude response in this critical area. It is
asymmetrically positioned to limit the comb effect.
Carl Marchisotto is a mono wiring supporter. The rear terminals
are also machined in a high quality copper and any enclosure of the
internal wiring is made with high mono strand silver conductors range
from Nordost. The speaker filter is spread over three separate
circuits to minimize magnetic interference, and embeds the best
components of the market in terms of capacitors and inductors. The
architecture is based on a proprietary filtering variable slope
(ranging from 6 to 12 dB). Carl Marchisotto is not a fan of steep
slopes. Indeed, it considers that these are too disadvantageous for
transient response.
The wiring circuits is carried in the air and used capacitors listed
among the high-end low inductance at Mundorf. Carl Marchisotto
attempts to use no self based on iron or ferrite, or PCB, or any kind
fuses, in order to guarantee the highest linearity.
In terms of technical specifications, Nola Metro Gold 2 show the following performance:
- Frequency response of 25 Hz to 100 kHz,
- Low sensitivity of 87 dB
- Quite comfortable 8 Ohms nominal impedance, with a low of 4 Ohms (between 100 and 150 Hz)
Listening Impressions:
We had to work on positioning the speakers accurately, which is
a priori not a big surprise. Nevertheless, the positioning of my
speakers, as indicated by the marking on the ground, generally works
well with other pairs of speakers, whatever their format.
But this form of universality has not checked with Nola, which require
both pretty little pinch, if at all, and also a certain distance from
the side walls. I can not say that my usual position was totally
inefficient, but it took the gradually optimize to find this typical
sound of Nola pregnant that I like. The sound of the achievements of
Carl Marchisotto is characterized by a rather unusual fluidity, and a
holography really bluffing.
For me, the Nola are at the acoustic enclosure what the tube is to the
transistor in terms of preamplification, not that it is impossible to
arrive at a very close result with transistors, but it is so much more
obvious d 'get this illusion of presence and incarnation with a good
tube preamp, while it is always much more complicated with transistor
stages ...
Use a nice pair of Nola with a tube amplification powerful enough to
cope with a generous yield, and it is an apotheosis of fluidity, as if
the air molecules themselves loaded themselves with music.
In short, it took me some time to find the ideal position but it was
worth it: the image expands and space becomes liquid.
The quality of stamps is to go with a very nice medium low,
rich and varied, and a very high saturated medium.
The ribbon tweeter fits very naturally over these very carnal medium
frequencies. The quality of the tweeter is also quite
impressive. There is of course the natural elegance of the tape, but
there are also a lot of life and rhythm. It's very cleverly done and
the association is really successful, obviously better than what I
could listen to Lawrence Audio Apertura or earlier speakers that
already worked well yet ...
Low frequencies are always a challenge on columns of this size
operating in bass reflex. Very variable results but we have not
obtained provided the extension and magnitude one might have with
larger speakers and larger HP.
However, this register appears to have increased significantly over
previous versions of the Metro Gold. So, even if the tension in the
bass is not as striking as with the Vivid Audio G1, the Metro Gold 2
does not show any feeling of frustration, especially if you listen
mainly to acoustic music. They are also convincing on amplified or
electronic music but they are certainly not as universal as the Vivid
Audio.
The overall balance of the enclosure seemed very good to me. If I
could send some earlier reservations about a pair of speakers going
further in the low end, I sincerely would touch anything on the new
Metro Gold Nola because the balance is near perfect.
They are pregnant we definitely recommend more to lovers of classical
music or jazz, or opera and variety, as fans of heavy metal. Carl
Marchisotto has developed an enclosure according to its affinities,
and the man listens mainly classical and jazz, this explains it ...
But back to the lower register, it is surprising because the speaker
response in this frequency band is subjectively convincing. The bass
is fast, it is not heavy but rather nuanced. Again, the break with the
midrange HP is really good and brought it almost like listening to a
wideband speaker that would be more linear in the low and high
bandwidth that the only typical speaker embarked by the latter.
The Metro Gold 2 are particularly efficient regarding the
return of voice. The grain and the crystalline sensuality of the
female voices are beautifully reproduced.
On the album "Handel" by Sonya Yoncheva, it is really obvious. I am
however not a fan of Handel although I sometimes hear quite often.
In fact, listening to the album of the Bulgarian soprano with the Nola
reminded me of one of the lessons (lecture-concert) of William
Christie and his Arts Florissants that he had given in 2015 to the
Philharmonie de Paris about the rhetoric of passion and eloquence in
baroque music.
I was quite amazed by the accuracy of the two female performers (Lucía
Martín-Carton and Léa Desandre) in the incarnation of diferent feeling
and states of the human soul. And, with the Metro Gold 2, I felt a
similar emotion, pure and very direct, as if the eloquence of Handel's
music had not lost its luster in my ears since this live
performance. It really is a disturbing sensation.
On the jazz singer's voice the land of morning calm (Youn Sun
Nah) captured in Munich duo with Ulf Wakenius, the Metro Gold 2 have
equally served the Korean stamps.
The voice modulation and softness in the treble has been beautifully
reproduced. The ribbon tweeter is really an excellent transducer
because the way of singing of Youn Sun Nah very close to the micro
little sometimes bring some hardnesses if the top of the spectrum is
not managed in an exemplary way and that the mezzo launches in a rabid
scat or in vocalizations of soprano ...
Again, Wakenius guitar sounds very natural and consistent that could
deliver a wide band performance on its entire frequency band. The
filtering seems to have been realized in the letters of art.
Let's move to the next stage with jazz soul singer the most
enigmatic of the history of black music, called Rachelle Ferrell, and
live recordings in Montreux.
As with the " mounted in towers "Of Youn Sun Nah, the North American
singer does not pose more worries to the Metro Gold. The consistency
of the timbres of the voice of the diva impresses on the whole of the
octaves sung. The piano attacks are also very clear, probably
indicating an impulse response in progression compared to the first
version.
The live atmosphere of the concert is also very well restored with an
increased sense of depth and a fairly wide soundstage.
What struck me is that the changes of female performers are really
marked to listen to the Metro Gold 2, more in any case than with the
Vivid, which testifies to a correctness of timbre no doubt of a very
high standard with my American hosts.
On large symphonic masses, Carl Marchisotto manage to recreate
a beautiful three-dimensional image with a serious bodied but fast and
dry.
It's amazing how they manage to stay in the very low frequencies with
this outfit and this level. The answer is subjectively good, although
down compared to my big Vivid Audio in severe infra.
A friend spent hearing this new version at home (he has a pair of
original Metro Gold) was surprised by the stereo image and the fact
that Metro Gold 2 happen to occupy the space of my room as if they
were a lot more imposing. He's right, I think I can live very well
with a pair of Metro Gold without feeling the need to move towards the
higher models, more bulky.
On the recording of Pentatone Classics by Marc Albrecht conducting the
Strasbourg Philharmonic Orchestra in Korngold's Fifth Symphony, opus
40, the impact of the orchestra and the holding of transients seemed
to me to be excellent for this type of orchestra. columns. In fact, I
do not remember hearing the speakers of this size that soiussi
accurate and transparent.
There is also a great readability between the upper and lower midrange
that makes nothing ever sounds really dark or truncated by a frequency
response that is not quite linear.
The articulation in the scherzo of the second movement also seemed
excellent. It is beautifully done and again, filtering is undetectable
: Everything flows very smoothly, almost liquid. The result will
depend of course on the amplification that will be put upstream of
this pair of speakers with a rather low efficiency (87 dB). These
speakers are not particularly difficult to operate, but like any
high-end speaker, the Nola Metro Gold 2 will give its full potential
with the best electronics.
The Lumin M1's all-in-one digital amplifier with 50 watts of power
under 8 Ohms has made them work very well without opening the
realistic level of two Luxman M800a in bridged mode, digital source
and a very high level preamp. It is therefore possible to obtain
excellent results by combining these speakers with a wide variety of
tube or transistor amplifiers.
On beautiful baroque ensembles like that of Maestro Biondi
(Europa Galante) is reached with my American residents an emotional
debauchery and stamps that I have rarely encountered.
It's beautiful. What should I say more "I Concerti dell'Addio "Disrupt
and tear. At that moment can we think if anything it is essential to
keep these speakers? I see myself immersed in the baroque and majestic
atmosphere of the Venetian Biennale, with Biondi exceptional
eloquence.
The Nola air breathe everywhere, even in the bass and lower
midrange. It's rich, harmonic appear everywhere, and the high
frequencies have both a definition, a yarn, a brightness and a
sweetness unheard.
So, not forgetting amplified music fans, it was of course
mention some experiments bringing out the Metro Gold 2 Nola outside
their comfort zone that is acoustic music.
A Queen album is always a good test, even if the Japanese DSD
remastering still allows to smooth things over. On the last album of
the group "Made in Heaven" of 1995 (the one whose cover is a picture
of the statue of Freddy Mercury erected on the shore of Lake Geneva in
Montreux), I could appreciate both the yarn in the treble the ribbon
tweeter (really beautiful) as well as the quality of the low.
I do not really find myself in the measures that were taken by
J. Atkinson for Stereophile of the first version of Metro
Gold. Subjectively, the balance is nothing in physiological and curve
response at the listening point seems indeed very balanced, with very
dense record, it act Treble of the medium (which is really amazing) or
low.
The Nola adapt perfectly to this romantic and sophisticated pop
rock.
What impresses is the extension in the treble with exceptional
definition and at the same time extremely low distortion. I never,
regardless of the type of music played with the Metro Gold 2, or
whatever noise, ear fatigue felt during those few weeks with my
American guests.
Listening to the American group of Steve Lukather and David
Paich, Toto, the Metro Gold 2 also give a lot of fun, even if the
sound pressure level is not really comparable to what I feel listening
to my Vivid Audio G1.
The Nola are clearly not Wilsons or Vivid who will make you feel the
demonic energy of a hard rock band almost as if you were there. At the
same time, they are versatile in comparison speaker as those in the
manufacturing Sonus Faber (in size and budget comparable course).
As much as these two brands will compete in terms of quality stamps
and fluidity of sound message, as well as the return of the magic of
opera scene, as the Nola will take the advantage in terms of
reproduction 'a live recording of pop-rock music, where the Italian
will become in my opinion a little too wise and too smooth ...
Conclusion:
This new generation of Nola Metro Gold is excellent. They are
undoubtedly expensive, but the quality is the appointment and the
pleasure they provide to listening is the highest level.
It is in any case a pair of speakers with which I could live without
problems, and I had no time to want to come back to my beloved South
Africa. No, what was achieved Carl Marchisotto commands respect. We
often speak wrongly and through musical term that means nothing apart
mean we experienced a lot of fun listening to an audio equipment.
Well then, these Nola Metro Gold 2 are highly "musical" in the sense
that they are simply a concentrated auditory ecstasy ...
If Nola Speakers is a brand still unjustly neglected in France, these
speakers certainly deserve to be listened to because what they do, few
competitors achievements are capable of delivering or even to
approach. The Metro Gold 2 is undoubtedly a very large enclosure,
which we logically attribute our best buy recommendation.
Joël Chevassus - Septembre 2017
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